Recently raided Neil's [of Stormy Monday] library. Rich.
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| Katachi, Japanese Pattern and Design, Weixenfld and Nicolson. |
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| Luis Barragan: His House |
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| Josef Albers, Bergfahrt Tamazunchale, Jacala, Mexico, 1935. |
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| Corrugated Cardboard Material Study. Bauhaus Vorkurs. Josef Albers: To Open Eyes, the Bauhaus, Black Mountain College and Yale, Horowitz and Danilowitz. |
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| Mikhail Matiushin. A Guide to Color: Rules of the Variability of Color Combinations. The Russian Avant-Garde Book 1910-1934, Margit Rowell and Deborah Wye. |
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| Space Modulator Experiment, Moholy-Nagy, 1936. Albers and Moholy-Nagy From Bauhaus to the New World. |
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| Industriellandshaft, 1967, Hannah Hoch. The Photomontages of Hannah Hoch, Boswell and Makela Walker Art Center. |
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| Lucy T. Pettiway quilt. Ge'ez Bend, the Architecture of the Quilt. |
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| Goatherd (Ziegenhirt), woodcut, 1918. Ernest Ludwig Kirchner. German Expressionism, the Graphic Impulse, Moma. |
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| Bruno Munari |
'Copying nature' is one thing and understanding nature is another. Copying nature can be simply a form of manual dexterity that does not help us to understand, for it shows us things just as we are accustomed to seeing them. But studying the structures of nature, observing the evolution of forms, can give everyone a better understanding of the world we live in.
- Design as Art, Bruno Munari
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